NeverEnding Story, The (1984) [Blu-ray]
Adventure | Drama | Fantasy

When young Bastian borrows a mysterious ornately-bound book, he never dreamed turning a page would draw him into a shimmering fantasy world of racing snails, hang-glider bats, soaring luckdragons, puckish elves, a Childlike Empress, the brave warrior Atreyu and a slab-faced walking quarry called a Rock Biter.

Follow The NeverEnding Story to the limits of the imagination, thanks to director/co-writer Wolfgang Petersen (The Perfect Storm) and a superstar team of technical tinkerers and magicians (with credits including 2001: A Space Odyssey, Alien and The Empire Strikes Back) who bring to life the most delightful characters ever. You'll cherish this wide-eyed adventure and discover The NeverEnding Story is your story.

Essential Video: Wolfgang Petersen (In the Line of Fire) made his first English-language film with this 1984 fantasy about a boy (Barret Oliver) visualizing the stories of a book he's reading. The imagined tale involves another boy, a warrior (Noah Hathaway), and his efforts to save the empire of Fantasia from a nemesis called the Nothing. Whether or not the scenario sticks in the memory, what does linger are the unique effects, which are not quite like anything else. Plenty of good fairy-tale characters and memorable scenes, and the film even encourages kids to read. --Tom Keogh

User Comment: JohYowza from Denmark, 23 June 2001 • The Neverending story is by far the best "Fantasy" film ever made and I doubt that it will ever be topped. I saw this movie with my dad one cold autumn afternoon, and my life changed forever that day. This movie taught me that fantastic places and wonderful creatures really do exist. You only have to want them to. Even today, aged 23, working in the computer industry, I find myself slipping in the Neverending Story soundtrack in my CD player and dreaming away to Fantasia...

This movie the most beautiful and touching movies ever created. It's an example of a timeless story, told with wonderful creatures and dazzling vistas of the land of Fantasia. The amazing and perfect soundtrack help capture your heart and won't let go until the end credits fill the screen. At which time you notice that you've been crying for the last ½ hour. I consider myself extremely lucky that this wonderful movie was shown to me at such a young age, telling me that the world is what you make of it.

And luckily, I can watch it all on Blu-ray!!

This is a masterpiece, nothing less

Summary: My life changed that autumn afternoon....

User Comment: kylopod (kylopod@aol.com) from Baltimore, MD, 15 October 2005 • This film was a favorite of mine as a kid, but even back then I recognized that the book by Michael Ende was superior. Overall, it's a wonderful children's film marred by an inconsistent tone and an unsatisfying ending.

No fantasy film I've seen has tapped more successfully into the kinds of philosophical thoughts that kids have. Think of Rockbiter's speech describing the Nothing: "A hole would be something. Nah, this was nothing. And it got bigger, and bigger, and bigger...." This is the type of film that greatly appeals to introspective kids who think about things like infinity and the end of the universe. Do children really think about such things? I did. People who find that surprising have forgotten how profound children can sometimes be.

The whole of Fantasia, indeed, seems to be built out of children's dreams and fears. Some of it is about exhilaration, as when Atreyu rides Falkor. Others reflect anxiety, as in Atreyu's trek through the Swamps of Sadness. What appealed to me most as a kid was how an imaginative but passive child, sort of a young Walter Mitty, opens up a book in which an older, braver version of himself goes on adventures. But "Neverending Story" isn't so much escapism as it is about escapism. It's essentially a fable about the destruction of a child's fantasy world as he grows older and adapts to the modern world.

The special effects are good for their day. Although they look phony at a few points, the film's distinct visual look, from the shimmering Ivory Tower to the assortment of weird creatures, holds up well today. What makes the film work especially well is that the two child stars--Barret Oliver and Noah Hathaway--prove themselves capable actors. I use the word "capable" because almost everyone in the film overacts in an annoying way, which I blame primarily on the director. But there's a wonderful cameo by Gerald McRaney as Bastian's father. He has the perfect tone for the scene, appearing loving but distant, unable to fathom Bastian's mind. I wish the film had followed through by returning to their relationship at the end and exploring how Bastian changes as a result of his experiences in Fantasia.

The reason the ending doesn't work is obvious to anyone who's read the book. Simply put, the movie shows only the first half of the book! While this isn't the movie's fault entirely--there was no way the entire story could have fit into one movie--this could have been handled better. "The Wizard of Oz" faced the same problem yet managed not only to become one of the greatest fantasy movies of all time but to surpass its source material in some ways. "The Neverending Story" doesn't accomplish that feat. The story feels unresolved at the end while at the same time failing to clearly set up for a sequel. It attempts to wrap everything up with a sequence in which Bastian takes revenge on his old bullies. I enjoyed this scene when I was a kid, but in retrospect it creates a clash between the real world and the fantasy world. Bastian never grows as a character, he never learns to put his feet on the ground, something the early scenes suggest will happen.

There's one other problem, and that's that Wolfgang Petersen never really figured out the proper tone for a children's movie. He must not have had a clear idea what age he was shooting for. Some of the scenes are quite scary and violent, making this film inappropriate for younger children. Yet the muppet-like characters are presented in an annoyingly condescending way that I doubt older kids (not to mention teens and adults) would appreciate. For example, the first scene in Fantasia plays like a revival of Sesame Street, with Rockbiter filling the Cookie Monster role. By the time I was old enough to appreciate the deeper aspects of the story, I cringed at the film's cutesy moments. Petersen didn't have to direct the film this way. Had he shot for a wider age group, the result would have been fresher and more authentic for everyone.

Summary: A classic with flaws.

[CSW] -- I agree with "A classic with flaws."

--- JOYA ---



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